Arthur Grant (1915-1972) was one of Hammer Studios' most prolific cinematographers. His first Hammer film as Director of Photography was The Abominable Snowman in 1957. In the early 1960s, he gradually replaced Jack Asher as Hammer's regular cinematographer. Asher's techniques were notoriously slow and expensive - if producing impressive results. Grant's tenure saw the Studio through many of its greatest productions, including The Curse of the Werewolf (1961), Quatermass and the Pit (1967) and Frankenstein Must Be Destroyed (1969).
Incidentally, he was not related to Hammer cinematographer and cameraman Moray Grant.
The Abominable Snowman (1958); Up the Creek (1958); Danger List (1959); Yesterday's Enemy (1959); The Stranglers of Bombay (1960); Hell Is a City (1960); Cash on Demand (1961); The Terror of the Tongs (1961); Visa to Canton (1961); The Shadow of the Cat (1961); The Curse of the Werewolf (1961); The Pirates of Blood River (1962); Captain Clegg (1962); The Phantom of the Opera (1962); Paranoiac (1963); The Damned (1963); The Old Dark House (1964); The Plague of the Zombies (1966); The Reptile (1966); The Witches (1966); A Challenge for Robin Hood (1967); The Mummy's Shroud (1967); Frankenstein Created Woman (1967); Quatermass and the Pit (1967); The Devil Rides Out (1968); Dracula Has Risen from the Grave (1968); Frankenstein Must Be Destroyed (1969); Taste the Blood of Dracula (1969); Blood from the Mummy's Tomb (1971); Fear in the Night (1972); Demons of the Mind (1972)