Dracula (1958)

For the 30th anniversary edition of Eric McNaughton’s excellent We Belong Dead magazine, contributors were asked to write about their favourite horror films. Mine was an easy choice: Dracula, the 1958 Hammer production starring Peter Cushing and Christopher Lee.

The studio was to make several outstanding films over the ensuing couple of decades, but rarely did all the elements combine in such perfect balance as they did here, arguably the pinnacle of Hammer’s achievement in the realm of the Gothic. As a child, I succumbed easily to the film’s charms; Hammer had me in its grasp, and neither it nor Dracula has let me go since.

If you want to read the c2,000 words before it, or any of dozens of lavishly illustrated articles on horror films ranging from Häxan, Halloween and Psycho to The Wolf Man, The Wicker Man and The Living Dead at the Manchester Morgue, buy a copy directly from the We Belong Dead website.

Look out for my article on the 1956 film of The Hunchback of Notre Dame in the upcoming ‘Euro Horror’ edition, too.

Event: In the Grip of Hammer 2: Beyond Hammer Glamour

Mark Sunday 27 February on your calendars, Hammer fans! My friend and colleague Robert JE Simpson and I will once again be in conversation, this time with a special guest.

Dr Penny Goodman is an academic, lecturing in Roman History, but it’s her love of Hammer horror that brings her to In the Grip of Hammer 2: Beyond Hammer Glamour. On Twitter I’ve dubbed her ‘Queen of Hammer Subtext’ on account of her ever-fascinating and insightful observations, and so we’re delighted she’s joining us as we dig a little deeper into Hammer’s early vampire films. On Twitter Penny is @pjgoodman.

Robert JE Simpson is a historian, critic and cultural commentator – not to mention one-time official archivist for Hammer Films – with a particular interest in Hammer’s sister company, Exclusive. On Twitter he is @exclusivephd.

And I’m David L Rattigan, a writer and editor who’s utterly obsessed with Hammer horror films and has been tweeting on the subject – in preparation for some upcoming related projects, fingers crossed! – as @hammergothic on Twitter since 2020.

As with the last event, the conversation will be fairly informal, and we encourage interaction, so do come along to comment, ask questions and chip in with your own observations.

The livestream is an official Cinepunked event and is free to watch. Tune in to In the Grip of Hammer 2: Beyond Hammer Glamour at 8pm on Sunday 27 February on the Cinepunked YouTube channel.

If you missed the first In the Grip of Hammer, catch up below:

Event: In the Grip of Hammer

My friend and colleague Robert JE Simpson and I will be in conversation on Thursday 13 January at 9pm GMT. The event is live online and is free to attend. Hopefully we’ll attract a few followers from our Hammer-related Twitter accounts (mine is @HammerGothic, and Robert’s is @exclusivephd), and there’ll be time for some interaction and a Q&A. From Cinepunked:

Thursday 13 January 2022, CinePunked presents In the Grip of Hammer.

In the first of a new occasional series of CinePunked conversations with fans, enthusiasts, and collectors, our very own Robert JE Simpson will be in conversation with David L Rattigan (himself no stranger to CinePunked) about their shared love of classic Hammer Films.

Robert JE Simpson is a film historian and cultural commentator, previously worked as the official archivist for Hammer Films, and is currently writing a book about the early history of Hammer’s sister company Exclusive Films. He tweets about the project at @exclusivephd.

David L Rattigan is a freelance writer and editor with a Hammer horror obsession, and for the last year has been tweeting about his love for the films over at @hammergothic.

Robert and David have a long-standing working relationship and have collaborated on a number of magazine, book and podcast projects.

Hammer Films are perhaps best known for their series of gothic horror films produced in England between 1956 and 1976, including popular series of Frankenstein and Dracula features starring Peter Cushing and Christopher Lee. In 2006 the company went back into production and has produced a stream of horror films in the years since, including Wake WoodThe Woman in Black and The Lodge.

The conversation will be live-streamed via the CinePunked YouTube channel, and will include an audience Q&A. Robert and David will not just be talking about Hammer horror, but the company’s other output, and what fandom means to them.

Bookmark the channel now.

View the event page on Facebook.
Bookmark CinePunked YouTube channel.

Dracula Has Risen from the Grave – but Is God Back in His?

This post is part of the 2021 Hammer-Amicus Blogathon

There was little ambiguity concerning the existence and role of God in the films of Terence Fisher, the director whose vision for the Gothic helped shape ‘Hammer horror’ from the studio’s first colour period horror film, The Curse of Frankenstein (1957).

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Dracula’s Daughter: A Queer Monster Classic Turns 75

[Originally published on diaboliquemagazine.com in 2011]

The clunky execution of Tod Browning’s 1931 film Dracula is the elephant in the room as far as classic horror is concerned. Bela Lugosi impresses in the title role, certainly, and the movie has a handful of truly memorable moments, but most of it falls very flat. Viewed 80 years later, it is not so much a great film as a curiosity, notable for its seminal place in cinema history.

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Review: The Haunting of Hill House

An Invitation to Terror: The Haunting of Hill House Reviewed
Liverpool Playhouse, 7 December 2015-16 January 2016

While you might leave behind one or two of the wordier scenes and the occasionally convoluted machinations of the plot, the warped, surreal benightedness of The Haunting Of Hill House – a new commission for the stage from Liverpool Everyman & Playhouse — will almost certainly follow you out of the theatre.

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